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'Never will I rise, madam,' replied the count, with an impassioned air, 'till'—He was interrupted by the marchioness, who at this moment entered the grove. On observing the position of the count she was retiring. 'Stay, madam,' said Julia, almost sinking under her confusion. 'By no means,' replied the marchioness, in a tone of irony, 'my presence would only interrupt a very agreeable scene. The count, I see, is willing to pay you his earliest respects.' Saying this she disappeared, leaving Julia distressed and offended, and the count provoked at the intrusion. He attempted to renew the subject, but Julia hastily followed the steps of the marchioness, and entered the castle., “I know it, sir!”, Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart..